loading...
Film di Yip Ping
Scopri la carriera cinematografica e i film di Yip Ping
Tutti i film, le interpretazioni e le collaborazioni di Yip Ping. In questa pagina trovi l'archivio completo dei titoli disponibili su Cinema Oggi che vedono la partecipazione di Yip Ping, corredati da trame, trailer ufficiali e dettagli sul cast tecnico.
七女性：汪明荃
In the last episode of Patrick Tam’s anthology series “Seven Women” (1976), Lisa (Lisa Wang) suffers from "environmental depression" and those around her treat her like a lunatic. Joyce deploys a creative mix of dialogue and monologue to illustrate Lisa's complicated personality. She might act like any normal obedient daughter around her parents, yet other times she reveals her overly sensitive and suspicious mind as her moods run the gamut from poetic to violent. The villa where Lisa is sent to heal becomes a tumultuous battleground when a young doctor who has his own psychological hang-ups begins treating her and a conflict of egos is ignited.
烽火佳人
Guerrilla member Ting Siu-yuen works as a playwright and Lee, the leader of an opera troupe. They conceal their identities in the troupe in order to gather military intelligence. Yuen gradually falls in love with the lead actress Mui Law-heung. Ting is unsettled to learn that County Chief Fong covets Mui. He sneaks into Fong's residence and is astounded by the sight of his old lover Pak Kuen, now Fong's wife. Fong colludes with the military chief in conducting vicious schemes. With Kuen's help, Yuen is able to get the intelligence. But as Heung is not an insider, she reports to the Governor about the illicit relationship between Yuen and Kuen. Kuen backs Yuen to eliminate the conspirators and bring about the union of Yuen and Heung.
九九九命案
A man was murdered and a journalist has to figure out who the killer is.
家家戶戶
The film features a conflict between a young wife and her mother-in-law, depicting the lives of ordinary people and their profound problems.
玉龍癡鳳（又名：怪錯有情郎）
The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.
