loading...
Benvenuto sulla pagina dedicata alla filmografia di Karpo Aćimović Godina. Qui puoi trovare tutti i titoli diretti da questo autore, le trame dettagliate, il cast completo e i trailer ufficiali. Resta aggiornato sulle produzioni cinematografiche di Karpo Aćimović Godina disponibili nelle sale o prossimamente al cinema.
Story about a group of eccentric Dadaist artists in a small Serbian town in the 1920s.
This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.
Documentary focusing on the making of "I Miss Sonia Henie"
Godina was ordered to make a short film glorifying the army, but instead made a film about making love, not war. The censors hacked it up, but he managed to save one complete copy.
Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.
The Serbian province of Vojvodina is home to a multi-ethnic population of Serbs, Croats, Slovaks, Ukrainians, Romanians, and Roma. The different groups seem to coexist cheerfully and peacefully, full of respect for each other’s customs, songs and religions. But the filmmaker’s ironical gaze discovers cracks in a facade that has long been less harmonious than it seems…
After film school, Godina’s first professional work as a director was “Picnic on Sunday,” a 1968 black-and-white short without any words that shows how seven different people spend a Sunday. A simple concept, but in Godina’s hands the short is suffused with both sexuality and revolution. - Paste
On the trail of the partisan to the liberator from the first days of the liberation of Yugoslavia to the meeting with the generation of '68.